Let me begin at the beginning—though Heaven knows that’s the one place no one ever truly begins. The present volume, The Collected Mallard Papers, is but the first in a series of what my publisher, in a moment of thrilling under-estimation, called “a curious miscellany.”
Curious, yes—like an aunt who drinks brandy before Mass; miscellany, indeed—but not at all random. These fragments, letters, and chronologies, drawn from trunks, biscuit tins, and a rather vulgar monogrammed hatbox discovered at my uncle’s funeral, form the surviving tissue of a once-respectable body.
Lest you think this is some fusty genealogy padded by sentimental recollections of “dear Mama”, I assure you: my interest lies not in worship but in dissection. Each item here—from the eighth-century confession of a monk whose piety was contagious in every sense, to the memoranda of a great-great-grandfather who managed to own three continents and not a conscience—offers its own species of moral entertainment.
Do not expect me to tidy history into something polite. I shall not pretend that our family’s adventures—from medieval martyrdom to colonial mischief, from genteel scandal to corporate ignominy—form a moral parabola. They are, taken together, merely evidence of human persistence under the influence of wine, power, and hope. That, I think, is legacy enough.
· Custodian of the Archive, Viscountess Viola Vorpel, 1991 ·
I
First Collection
Notable Biographies
Lives Recorded by Those Who Knew Them Truly
These accounts were commissioned not for posterity in the public sense, but to ensure
that the family itself would never mistake myth for character. Several subjects here
were persons of considerable public renown; the versions found in this archive differ
materially from those published in their lifetimes—or suppressed after their deaths.
Members are asked to treat contradictions between these documents and external sources
with discretion. We do not correct outsiders. We simply know better.
—On the Conduct of Private Memory, A Note from the Third Curator, 1882
Biography · Vol. XII
Falling From Grace: The Dukes of Mallard
From 500 to 1990
Tracing our aristocratic family line from the Dark Ages to 1990, this book blends sharp wit with historical texture to create a portrait of primogeniture, power, decadence, and decline of aristocracy across fifteen centuries. And the rise of women on a lesser family line. The fall in material wealth for the ducal family as against the rise in intellectual wealth of the female line.
A gentleman was once understood as a man of taste, education, and independent income. Today, the term often seems reduced to surface traits like table manners and proper dress. It also suggests a troubling notion: that a gentleman—or gentlewoman—is shaped and prepared for a life not unlike that of a sex worker.
Most published work—written, of course, by men—on British India centres on men or on domestic service; women appear mainly as wives, sketches or footnotes. This surviving correspondence - of Mallard women in India writing letters that passed between Shimla, Bombay, Calcutta, Surrey, London and Sussex - is the archive English women of intellect living in India have been denied.
The book explores the life of Lord John Mallard, Bishop of Ducks-on-Ponds, a man who rose in the church—despite his disbelief in God—and embraced the aesthetics of religion, finding beauty in the rituals and ceremonies. This work presents Mallard’s life as a testament to the enduring allure of style and tradition, even in the absence of genuine faith.
The life and times of "the invisible flâneur", Alban Fitzartur a writer who explores forbidden love between men through a unique lens, focussing on the unspoken desires and hidden gazes between men in social settings. His works subtly challenge societal norms by highlighting the unspoken connections between men.
The Blandy Papers is "a masterpiece of social commentary and psychological insight. Through a collection of letters and diary entries, it exposes the madness lurking beneath the surface of respectable society. The precise and ironic style reveals the absurdity of human behaviour, making this work a timeless critique of civilisation."
The second collection moves from the record of lives to the record of thought —
from what the Mallards did to what they believed, or attempted to believe,
or believed it useful to pretend to believe.
II
Second Collection
Philosophies
Private Treatises on Duty, Power, and the Uses of Both
It is a long-standing Mallard habit to think in writing. Most of these treatises
began as letters—to solicitors, to clergy, to children about to inherit something
difficult—and were later recognised as documents of lasting use to the family.
None were composed for publication.
Several bear the influence of Continental thought absorbed during the family's
periods of necessary exile. Others are purely domestic in their concerns—the
management of rank, the obligations of old money to new politics, the question of
when a principle becomes an affectation. The house has always preferred its
philosophy practical.
—From the Curator's Introduction to the Philosophical Papers, 1935
Philosophy · Vol. I
Which Grace:
The Mallard Curse
1600 to 1700. Lefame, New England
An account of the Mallards—and the Wampanoag People—of Lefame in New England: the lands strategically located, fertile, and suited to maritime enterprise and the distant governance of the Dukes of Mallard and the Earls of New England.
The music of Comte Séraphin de Canardelle-Montmorin d’Aubespine-de-Mallard
The Comte premiered his concerto, “Concerto de la Grâce des Canards,” at Versailles in 1787. The concerto, featuring a harpsichord and an orchestra, evoked mixed reactions. While some praised its charm and complexity, others criticised its perceived philosophical undertones and deviation from traditional harmony.
This book owes its provocation to Schopenhauer, who declared the world to be “will and representation.” I have taken the liberty of adjusting his phrase, for I live in an age less concerned with will than with whim, and where representation has been supplanted by its cheaper cousin, misrepresentation.
A mix of diaries, letters, and orations from the 18th to 20th centuries, forms an alternative history centred around language, comedies and creatures, exploring bureaucracy and belief. With a focus on desire, featuring essays and anecdotes about education, beauty, and freedom.
A vital repository of scholarly materials, including endnotes, primary documents, a bibliography, an errata list, and a detailed index. These resources enrich the main text, providing context, primary evidence, and facilitating further research in linguistic anthropology, social stratification, and the history of domestic service.
❧ ✦ ❧
The third collection abandons the direct voice. The Mallards have always used
animals to say what they could not—or would not—say plainly. The fables
should be read as such.
III
Third Collection
Fables
Cautionary, Consolatory, and Otherwise
The fable tradition in the family stretches back at least to the early tenth
century bce, when the practice of writing allegorical stories for the education of
heirs became, in the Mallard household, something rather more pointed than
education. These texts were written by parents for children, by siblings for
siblings, and in two cases by the family's legal counsel—who understood the
genre's utility.
The morals, where they exist, are Mallard morals: they tend toward the pragmatic,
occasionally toward the ruthless, and in the finest examples toward a wisdom that
is neither comfortable nor easily dismissed. They are not to be shared with
children outside the family.
The Mallard family’s unconventional family Bible, chronicling their history and offering guidance on behaviour. Unlike a traditional Bible, it is filled with obscure allusions, family jokes, and improbable tales of encounters with historical figures. The book serves as a labyrinthine guide to the Mallard legacy, challenging readers to decipher its meaning with several keys hidden within its pages.
An English day viewed through two significant events: an 1832 ball at the Duke’s estate and the Mallard family’s traditional 1850 Centenary Celebrations. These documents, preserved in trunks at Mallard House, reveal the changing social dynamics and self-perceptions of the aristocracy and bourgeoisie during these periods.